JUNO screenwriter Diablo Cody and star Ellen Page talk about their high school prom experiences.
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Watching this movie, i had this bitter-sweet feeling. On one hand it was bitter because if you think about it carefuly, it's a real tragedy. having a baby when you're sixteen is really difficult and even more for a girl like Juno who doesn't seem prepared at all. But sweet, on the other hand, because of this relation between her and Pauline, because of the way her parents react which is amazing. This bitter-sweet feeling this movie provokes is really unique and great and makes this movie so special. Besides that, my favourite thing of the moive was Juno's humour: the sarcastic way of calling her baby the "thing" or calling herself " a planet" or " a convexe form" is really amazing. Finally , my favourite thing of the movie is the final scene. the song is so beautiful and really sums up all this sweet feeling we have from the middle of the movie.
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Juno is without a doubt my favorite movie of all time. It is witty and funny and is definitely a feel good movie. For those of you who say Juno is stupid, not funny, and how could they make a movie about teen pregnancy, here's my message to you: Juno is full of off beat comedy that you have to appreciate in order to understand and find it funny. Some people don't have an off beat sense of humor and simply don't get it. That is fine, but don't shut the movie down because of it. Give it a chance. And don't be ignorant and make fun of the movie. It has a good message and just because you didn't like, that doesn't make it a bad movie!!!
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If anyone were to dispute the notion that first impressions are important to the reception and evaluation of a movie, I think I would have to refer to Juno, which is one of the few movies I’ve watched twice within a couple of months just so I could be confident that my initial reaction was genuine and not a consequence of promotion. Basically, if you can make it through the first 10-20 minutes of Juno, during which the viewer is unremorsefully bombarded with what has to be a serious contender for the title of “most painfully contrived and strained dialogue ever written,” you might actually be able enjoy a rather engaging film that has regrettably become a victim of its own hypegraffiti .
Maybe it was the hangover suffered from having Little Miss Sunshine’s publicity forcibly poured down everyone’s throats last year, but I don’t think I’ve ever witnessed a collective effort to resist Indiewood’s hype quite like the hostility exhibited within the numerous negative reviews I’ve read over the past few months that vehemently chastise Jason Reitman’s teen-pregnancy comedy, and more specifically take aim at the quirk manufactured by the film’s much-publicized writer, Diablo Cody. Part of me is relieved that critics are finally resisting the promotion of studio-sponsored “independent” films, which usually feel assembled from focus-group findings in order to target a specific niche audience. Another part of me is concerned that critics have predetermined perceptions of the films they watch (of course, this is unavoidable to a certain extent), which makes the actual experience of watching the films almost useless.
Unfortunately, Reitman’s film and Cody’s script basically throw down an ultimatum to their audience right away, almost demanding that the viewer decide immediately whether to get on board or not. The sheer volume of relentlessly “clever” dialogue that inundates the viewer within those first few minutes, replete with incessantly hip, excruciatingly random, and (I’m assuming) supposedly impressive pop-culture references, might become too overwhelming for many viewers to maintain any type of impartial viewpoint upon the rest of the filmmakers’ efforts. I know I found it incredibly difficult to avoid becoming overly resistant and biased towards the central characters and the story that soon followed, especially after having to suffer through Rainn Wilson’s atrocious cameo.
Though clumsy and desperate, the adolescent wit of the opening dialogue might be a shrewd method to hold the attention of younger audiences, but it actually made me (and a friend) wonder how severely the rest of Cody’s script had been adjusted over time as more drafts were made and more advisors brought in to the project. If the last 2 acts continued to use the blueprint of the 1st act, I might have had to hunt down and burn the original film negative. Honestly, if anyone can provide me with a thoughtful justification for why Cody’s surrogate character, Juno, says “silencio” other than to astonish us with the fact that Cody enjoys Mulholland Drive I would genuinely love to hear it.
However, Reitman’s latest film is mildly successful despite the preliminary dialogue crafted by the film’s recently f?™ted screenwriter. By the time Juno yells “Thundercats are go!” I seriously considered throwing (someone else’s) food at the screen and I was ticked off with myself for not bring rotten produce with me to the theatre, but I was also actually sincerely interested in the story. As annoying as the characters might be when they’re spewing their needlessly hip dialogue, I was actually engaged enough to worry about their fate. Strangely, when the characters aren’t anxiously attempting to demonstrate their sophisticated sense of cool to one another, they’re actually quite sweet and charming in their honesty and vulnerability.
In my mind, most of the credit should probably go to the cast of actors that Reitman has astutely cast. Reitman’s actors are able to nimbly navigate through dialogue that veers into irritating far too often, mostly because they deliver their lines while subtly conveying the flaws of their characters. The most notable of these performers has to be Ellen Page, who seems quite capable of carrying the entire production on her petite shoulders. In fact, I’m certain my entire perception of the film altered drastically from aggravation to unadulterated delight after watching Page insouciantly bound up the stairs of the Loring’s McMansion, effortlessly conveying all of Juno’s youthful energy and adolescent naïveté within one simple creative choice.
While the rest of the cast members turn in solid, if somewhat undemanding, performances, some sort of credit also has to go to Jason Bateman, who has to have one of the most thankless roles ever created. As Mark Loring, Bateman’s character is essentially the only character who is not allowed to redeem himself from his disgraceful actions, basically ostracized to his big city loft in order to continue life as an immature adult who chases adolescent fantasies while everyone else grows up to accept some form of responsibility in their lives. I’ve heard some critics attempt to characterize Mark as a big brother figure to Juno, but even if Mark sees youthful potential in Juno or a soul-mate from a different generation, these descriptions seem like a wishful and disingenuous interpretation of an adult who is bordering upon an inappropriate territory. In fact, while watching Mark and Juno bond over movies and music, a teenage girl sitting behind me was weirded out enough by the dynamics of their relationship to actually exclaim “gross!” Yet, Bateman somehow makes Mark sympathetic instead of just plain creepy, and that takes some seriously subtle skill for such a mildly disturbing role.
Of course, there are plenty of problems with Juno as well, including its cavalier inclusion of ethnic characters. Someone seriously needs to tell Reitman (and maybe Cody) that simply including characters from various ethnic backgrounds isn’t enough to be viewed as progressive, since it also depends on how these characters are depicted. In this sense, Juno seems ridiculously misguided, with Asian characters constantly popping up as either comic fodder because of their lack of self-awareness or simple as rude characters that are included only to develop other characters. It’s not a heinous crime by the filmmakers, but it’s certainly offensive from where I’m standing.
In the end, I’m slightly ambivalent towards Juno, since part of me is impressed while part of me is repulsed and I still can’t shake the feeling that the movie is more product than personal statement, especially considering it side-steps the more thorny aspects of its subject-matter. However, one thing is for certain: if I ever meet someone who actually drops the phrase “honest to blog” within a normal conversation, I don’t think I would hesitate to punch them in the kidneys.
I would just like to dispute some issues regarding Juno's so-called "hype". All the hype actually didn't generate from the youth, most of whom adore the movie, but from many movie experts and critics. Fox Searchlight was planning to send in another great indie film for the Best Picture Oscar when Juno came into view. Even months before the awards ceremony itself Juno was expected to Win Best original screenplay. Then the hype spread all over the globe and then we have now.
I have seen many people burning Juno, saying that it was pretentious, unoriginal, "trying-hard", that people liked it because we loved the character Juno. All sorts of people have all sorts of opinions, and I respect that, but I would just like to believe that those who burn Juno have already lost that bright spark that is youth. Insulting it for being "too smart" just because real real people aren't "smart enough". Looking at it as boring because they themselves don't realize the vibrant youth that the film exudes. Forgetting the brilliance of the acting, the writing and the direction just because they just don't like the concept. I learn to live with these people by thinking that are like this. Completely and totally human.
Watching this movie, i had this bitter-sweet feeling. On one hand it was bitter because if you think about it carefuly, it's a real tragedy. having a baby when you're sixteen is really difficult and even more for a girl like Juno who doesn't seem prepared at all.
"Juno" sucks big time. Awful writing. Totally unbelievable. Incredibly bad tone. Brook Busey (a/k/a "Diablo Cody" -- I mean, really), the former D-List sex entertainer, must have pulled a vew G-strings to get the project greenlighted. Just shows how irrelevant the Oscars are. Brook, put the statue where the sun don't shine.chat
Part of me is relieved that critics are finally resisting the promotion of studio-sponsored “independent” films, which usually feel assembled from focus-group findings in order to target a specific niche audience. Another part of me is concerned that critics have predetermined perceptions of the films they watch (of course, this is unavoidable to a certain extent), which makes youtube e?lence avrupa webmaster porno izle youtube izlesene video izle
You know, afterwards watching applesauce like the Incredible Hulk, What happens in Vegas..Fucken Harold and Kumar's crap. The bits that is concidered acceptable in this very shitty apple of accepted culture, Juno was a animation of beginning air. This blur was amazing, and candidly there was annihilation amiss with the dialogue...rather that than accept to Leonardo Di Caprio's applesauce immitation of a South African accent!
Christ this blur wasn't that shit. If I had to animosity it it wouldn't be on the calibration of unbearable. And instead of ripping on Cody Diablo for getting a stripper, get out of your little board armchair in acceptable old suburbia,go reside a little or go cry emo kid!!!!
God, you'd affirm anyone shat on your croissant!
No charge to applesauce admirers out for affection the film.
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I hope more of this kind of family oriented drama, where the whole family can actually enjoy a movie together, continue to be produced.
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You know, after watching crap like the Incredible Hulk, What happens in Vegas..Fucken Harold and Kumar's crap. The shit that is concidered good in this crappy world of popular culture, Juno was a breath of fresh air. This film was amazing, and honestly there was nothing wrong with the dialogue...rather that than listen to Leonardo Di Caprio's crap immitation of a South African accent!
Christ this film wasn't that shit. If I had to dislike it it wouldn't be on the scale of unbearable. And instead of ripping on Cody Diablo for being a stripper, get out of your little desk chair in good old suburbia,go live a little or go cry emo kid!!!!
God, you'd swear someone shat on your croissant!
No need to crap fans out for liking the film.
Go hate life somewhere else.
Nicole (South Africa)
I don't hate it because it's unrealistic. I hate it because it's bad. It isn't entertaining. It is so bad that it's impossible to suspend disbelief and go with it because the writing, the tone, the acting is so jarring that we know we aren't in some small Minnesota town mingling with quirky people. No, we are constantly aware that we are sitting in a gloomy theater with a sticky floor while the people involved in foisting this crap on us are doing the equivalent of scraping fingernails on a chalkboard. Movies don't have to be "realistic," but they have to be or seem "real." This movie is false, manipulative, cheap, predictable, amateurish, and hypocritical. In short, it's a ripoff. All of us who have seen it, paid to see it, have been had. Those who have seen it and love it have been really played. Let's opt for some quality for a change. This movie is crap, and I want my hour and a half back to spend doing something worthwhile. You can keep the chump change I paid to see it. "Cody," indeed the devil in a not very good disguise, can consider it a tip and keep it in her G-string with the rest of the money she's ripped from us. Diablo, you aren't fooling all of us. Many of us know you are faking it. Enjoy Hollywood while you watch it eat you alive.
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its the people that hate it because its unrealistic that pisses me off. of course its fucking unrealistic, its a movie. Look at Kiss Kiss bang bang, lucky number sleven, fuckin fight club, theyre all made to look realistic but when you really think about it theyre not realistic at all. Of course Juno is unrealistic, but its still a good movie. A lot of the things she says in the movie are phrases ive used before, and Im only 16. I have a 16 year old friend that is pregnant right now and her famliy handled things in a very similar way. Dont go off about how its so unrealistic, thats what the goal is. Hollywood glorifies and sugarcoats everything, even in indie movies. the point is that its imaginitive and touching. So get over it.
Junohno
Juno is simply terrible. The "writing" is unbearable, and someone should slap Page upside the head. Who okayed this deal? I agree with the other writer who said, or meant to say, that "Brook Busey (a/k/a "Diablo Cody" -- I mean, really), the former D-List sex entertainer, must have pulled a few G-strings to get the project greenlighted." And, yes, someone simply has to say that this Empress has no clothes. Go back to Cody, Diablo.
"Juno" sucks big time. Awful writing. Totally unbelievable. Incredibly bad tone. Brook Busey (a/k/a "Diablo Cody" -- I mean, really), the former D-List sex entertainer, must have pulled a vew G-strings to get the project greenlighted. Just shows how irrelevant the Oscars are. Brook, put the statue where the sun don't shine.
Omg!! Juno is AmAzInG (: SEE IT!! It's better than you think. In a way it expresses what teens (in this century) are relating to. Nothing wrong with it, honorable mention from me...
I've probably watched it OVER about 10 times. I love that part where Juno is telling Vannessa about the ultrasound. "It's saying 'HEY, will you be my mommy', haha" -Juno. And where ahe yelled at her step mother "WHOAH, dream big!!" I have those sunglasses she was wearing when she was chatting ith Leah in that park. I found them in Urban Outfitters. Cute if you ask me.
By the way, they should date!! You know,,, Ellen Page & Michael Cera. They are totally cute together. Because "Paulie Bleeker is so boss".
All I'm saying is... GO SEE IT. (: you'l love it, i believe it
Juno doesn't encourage teens to get pregnant...
It's a MOVIE.
A great one, at that.
So even though some people commenting are saying they aren't a 30 year old with no time on their hands, obviously you ARE if you had to defend yourself on that.
Or you're just a lousy teenager who really likes to shun people about crazy decisions.
It is a little bit crazy!!
I mean that Juno's very.... Umm.... Amazing!
I love this movie! Dont know why but I couldnt stop crying. Half from laughing and half was because I could never give my baby up. But Ellen Page is an amazing actress. Just since Juno Ive watched Hard Candy and An American Crime.. She is amazing!
Juno is good, believe me.
Its entertaining and provokes feelings that people are afraid to express. It doesnt send a wrong message, just a real one.
Its wrong to get pregnant so young obviuosly, but instead of abortion, it had to hurt! Maybe if young moms everywhere experienced the feeling of giving away their offspring for someone else to raise, they would avoid getting pregnant all together. My personal promise, it would hurt.
I loved this movie. Of course not everyone is going to like it and I am sure that the people who hate it, probably like some really gay movies no one else likes either. Micheal Cerra is adorable and Ellen page is awesome. And the movie does not say its ok to get pregnant at a young age. Like the movie said kids get bored and they screw, it happens and an understanding parent does NOT have to get all pissed off. It would be better if they stayed calm and figured out what they were going to do in a calm manner. And when the dad told her he didnt think she was that kind of girl, that showed her that they were disappointed in her and that is a pretty sucky feeling when your parents say that to you. It is a good movie and if you hate, why in the hell are you even on this site wasting your time? You make no sense.
If you are really dumb enough to imitate everything you see in movies,, then it was bound to happen some way or another. Dont blame Juno on your stupid mistakes, it's just a movie. Now shut your yap before you frak up everything. We wont even be allowed to go outside, so clamp it.
Man you people are soooooo uptight. cant we jst judge the movie for what it is- a movie! movies are meant to entertain and make you feel good which juno does in a fun quirky way. it definately does not encourage teenage girls to get pregnant. sure it doesnt make light the seriousness of teenage pregnancy but then again juno isnt a serious movie! its made to make us laugh thats all! judge it as a movie what you like/dont like about it but dont say it encourages teen pregnancy, if it did we would expect to see a population increace 9 months after its release wouldnt we?
Juno is a great movie that really protrays what its like for a pregnant teen...i dont think this movie tells any kid that it is okay to and hae sex and get prego..just that when you do screw around that getting pregnat can happen to anyone and you have to be ready to pay the price...
Juno was unrealistic and made indie things look bad
i'm sick of hearing people repeat lines from this movie
VERY VERY few (if any) teenagers talk like stupid hipsters from the 70's
the parents reactions to her pregnancy were so fake; if they loved her at all then they should have gotten mad at her
the movie's message was clear: "if you're pregnant at an early age, don't worry; everything will go back to normal in 9-10 months"
basically, this movie encourages teenagers to get pregnant
P.S: this is a REAL teenager's opinion, so don't think I'm just an uptight 30 year old with too much time on their hands
Juno is without a doubt my favorite movie of all time. It is witty and funny and is definitely a feel good movie. For those of you who say Juno is stupid, not funny, and how could they make a movie about teen pregnancy, here's my message to you: Juno is full of off beat comedy that you have to appreciate in order to understand and find it funny. Some people don't have an off beat sense of humor and simply don't get it. That is fine, but don't shut the movie down because of it. Give it a chance. And don't be ignorant and make fun of the movie. It has a good message and just because you didn't like, that doesn't make it a bad movie!!!
Juno is a pretty decent movie, i enjoyed it! go see it. dont be as closed minded as some of e people on here!
I would just like to dispute some issues regarding Juno's so-called "hype". All the hype actually didn't generate from the youth, most of whom adore the movie, but from many movie experts and critics. Fox Searchlight was planning to send in another great indie film for the Best Picture Oscar when Juno came into view. Even months before the awards ceremony itself Juno was expected to Win Best original screenplay. Then the hype spread all over the globe and then we have now.
I have seen many people burning Juno, saying that it was pretentious, unoriginal, "trying-hard", that people liked it because we loved the character Juno. All sorts of people have all sorts of opinions, and I respect that, but I would just like to believe that those who burn Juno have already lost that bright spark that is youth. Insulting it for being "too smart" just because real real people aren't "smart enough". Looking at it as boring because they themselves don't realize the vibrant youth that the film exudes. Forgetting the brilliance of the acting, the writing and the direction just because they just don't like the concept. I learn to live with these people by thinking that are like this. Completely and totally human.
I would just like to dispute some issues regarding Juno's so-called "hype". All the hype actually didn't generate from the youth, most of whom adore the movie, but from many movie experts and critics. Fox Searchlight was planning to send in another great indie film for the Best Picture Oscar when Juno came into view. Even Futbol months before the awards ceremony itself Juno was expected to Win Best original screenplay. Then the hype spread all over the globe and then we have now. http://www.futbolyorumlari.com/