The brilliantly sad factor of The State of Indy Film is all year long there has been beautiful performances and suburbly structered films that have not been recgonized by the simple minded average film goer, who will rave about American Gangster yet complain that it may have been aliitle to slow and has never heard of Before the Devil Knows Your Dead or even Serpico, which is the blue print to the powerful performance driven Ridlley Scott film. Indy film needs a stronger audience to take back the art of cinema and story telling, away from the spineless studios who are afriad of taking a chance and speaking the truth against the fear and ignorance that the Govt has instilled in our society. The art of Film is a beautiful gift to translate stories. We have to strenghten the core of this art and take back what is rightfully ours.
The brilliantly sad factor of The State of Indy Film is all year long there has been beautiful performances and suburbly structered films that have not been recgonized by the simple minded average film goer, who will rave about American Gangster yet complain that it may have been aliitle to slow and has never heard of Before the Devil Knows Your Dead or even Serpico, which is the blue print to the powerful performance driven Ridlley Scott film. Indy film needs a stronger audience to take back the art of cinema and story telling, away from the spineless studios who are afriad of taking a chance and speaking the truth against the fear and ignorance that the Govt has instilled in our society. The art of Film is a beautiful gift to translate stories. We have to strenghten the core of this art and take back what is rightfully ours.